• G.S.C 6/6

    Essay Plan QUESTION B) A sensory ethnography of a gig / exhibition / concert / online sonic experience. Lydia Lunch in Hastings at the Piper points: How she interacted with crowd (confrontational) .Male vs female reaction. .How crowd reacted during the support band vs main act .The fans vs the people who had just shown…

  • G.S.C 5/6

    Question from slide: What do you associate with the term ‘ecology’? The study of living organism in their environment Global Sonic Cultures 09 Sonic ecologies • Which ways of practicing sonic ecologies can you think of? Field recording Listening to nature Listening to the city Documenting sounds ”Eros, desire, life forces run through everything, not…

  • G.S.C 4/6

    How Colonisation Affects Archives/Participatory archives Global Sonic Cultures 08 – Archives ”… the archive is neither merely a repository of historical sources; nor is it a representation of history. Rather, it is a site of contradicting efforts to order and create knowledges about the constructed Other and the Self. Thus, universalising global historical narratives are…

  • i.t.s.a 1/6

    Sound Art to me is the exploration of sound through the lens of Fine Art. Exploring the depth of sound links us closer to our sensitivity and awareness to the world around us therefore giving us a more extensive palette to work from. Throughout this course i am going to focus myself into the world…

  • i.t.s.a 6/6

    ”For Cage stages a consideration of sound through musical practice . In this way, music not only functions as a form of cultural output, but a platform for critical reflection. Cage’s beginning is thus a reinvention of musical practice through an investment in sounds potential to invigorate musics reach.” (Brandon La Belle, Background Noise –…

  • I.T.S.A 2/6

    Dada (/ˈdɑːdɑː/) or Dadaism Grand opening of the first Dada exhibition: International Dada Fair, Berlin, 5 June 1920. The central figure hanging from the ceiling is an effigy of a German officer with a pig’s head The art of the movement began primarily as performance[9] art, but eventually spanned visual, literary, and sound media, including…

  • Global Sonic Cultures 2/6

    In the 20th century the way the west went about collecting data from other cultures was problematic due to its ties with Colonisation. Enthnography was used by the french empire to go into Africa and record music from rural groups to be listened back to by the french public. The way this was approached and…

  • Global Sonic Cultures 1/6

    “Ethnography is a branch of anthropology, the study of people and social groups, but particularly tries to do it from the perspective of the people being studied” essay : A sensory ethnography of a gig / exhibition / concert / online sonic experience. Workshop: create your own sonic ethnography in or around college and share…

  • C.S.P/2 2/6

    In this Session with Milo we learn about creative synthesis. For this exercise we were given a midi file for the Strange Things theme and were asked to adjust on Ableton using the Analog synth. I started by adjusting the wave forms and then added a low pass filter to try and sculpt the sounds…

  • Creative Sound Projects 6/6

    The project is due in tomorrow. Thanks to Adomas we have kept to a good schedule and have everything done. I think the ending is slightly rushed or maybe this is only noticeable from the inside perspective. What i hope is that it feels like the first episode and that the story could continue. The…